Studio brand films, photography and content shoots — directed, produced and delivered in every format your channels need.



Production is everything between an idea and an asset you can publish: concept and storyboard, casting and crew, sets and styling, the shoot itself, then edit, grade, sound and versioning for every channel.
Most brands lose money not on the shoot but around it — a day booked for one film that could have produced a quarter of content, or an edit that never got cut for vertical. We plan the capture around the formats you actually need, so one premium shoot day feeds TV, connected TV, Reels, Shorts, six-second bumpers and stills.
A celebrity cannot rescue a badly shot film — and a well-shot one barely needs rescuing.
Capture is planned around deliverables, so a single day yields a quarter of content.
Production value is the fastest signal that a brand is serious.
Consolidating shoots is the single biggest saving in most content budgets.
Celebrity time is expensive. We protect it with tight, directed schedules.
Vertical, horizontal, sound-off and six-second cuts planned before the camera rolls.
Usage windows, approvals and a delivered, organised asset library.
Colatch plans the capture around the formats you actually need — so one premium shoot day feeds every channel.

A single festive film, shot once and versioned across five languages — one directed capture feeding a national, multi-market launch.
Concept through delivery — one team, one accountable line.
We shape the idea and board it against your goal before anyone books a studio.
Talent, crew, sets, permits and schedule locked and budgeted.
Premium hero films built to cut into TV, connected TV and vertical social.
Campaign and product photography, art-directed for every channel.
Edit, grade, sound and every format cut, delivered ready to publish.
Usage rights, approvals and asset management handled centrally.
We shape the idea and storyboard it against the outcome you need.
Talent, crew, sets and schedule locked — the day is planned to the minute.
One efficient, directed capture designed around every format you need.
Edited, graded and versioned, delivered ready to launch.
Production cost is driven by shoot days, talent, crew size, locations and post. We show the full budget before anything is committed.
One directed day, cut into a quarter of assets.
Concept, film crew, talent and full post for a premium film.
Film, stills and social captured in one coordinated window.
A recurring shoot cadence with a delivered asset library.
Concept and storyboard, casting and crew, sets and styling, the shoot, then edit, grade, sound and versioning for every channel you publish on.
It is driven by shoot days, talent, crew, locations and post — not a rate card. We scope to your deliverables and show the full budget before anything is committed.
Yes, if it is planned that way. We design the capture around every format up front, which is why one day can feed a quarter of content.
Yes. Star time is the most expensive hour in the budget, so schedules are directed tightly to protect it.
Usage rights and windows are written into every contract. We deliver an organised asset library, not a folder of raw files.
Most productions move in weeks. The schedule is set at pre-production and we do not cut the diligence that keeps the day on plan.
Tell us your goal — we'll come back within 24 hours with the right names and the terms to match. Nothing here is binding.
Tell us about the brand and the goal. The more you share, the sharper our first proposal — and nothing here is binding.